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潘通蓝动态英语专业毕业答辩-PPT模板论简·奥斯汀的《傲慢与偏见》英语专业毕业论文答辩论文答辩：稻壳儿指导老师：稻壳儿Inthe19thcentury,tlrreappearedseveraldistinguislkdEnglishmyeliststhatareleadedbyDickensandThackeraywhodominatedInthe19thcentury,tlrreappearedseveraldistinguislkdEnglish,0304研究背景Researchbackground研究意义Researchmeaning论文概述Overviewofthepaper研究结论Researchconclusion录目CONTENTS,ChapterOneInthe19thcentury,thereappearedseveraldistinguishedEnglishnoveliststhatareheadedbyDickensandThackeraywhodominatedaliteraturetrendnamedCriticalRealism.Butwomennovelistshadsteppedonthestageofliteratureasearlyasthesecondhalfofthe18thcentury.ThensomebrilliantfemalenovelwritersachievedandcontributedtothedevelopmentoftheEnglishnovel,oneremarkablememberofwhomisJaneAusten.JaneAustenwasbornonDecember16,1775n研究背景RESEARCHBACKGROUND,03英国作家简·奥斯汀简介FemalenovelistSingularlybarrenBecriticizedwomennovelistshadsteppedonthestageofliteratureasearlyasthesecondhalfofthe18thcentury.ThensomebriliantfemalenovelwritersachievedandcontributedtothedevelopmentoftheEnglishnovel,oneremarkablememberofwhomisJaneAusten.JaneAustenwasbornonDecember16,1775,inSteventonrectoryinHampshire,EngandInhershortlifetimeof41years,sheneverwentoutofthecircleofherlife.“Ofeventsherlifewassingularlybarren:fewchangesandnogreatcrisisevenbrokethesmoothcurrentofitscourse.Becauseofherlimitedpersonalexperiences,Austen'sfieldofversionoftenfocusedontheordinarylifeandtheassociationoftheso-calledrespectablemiddle-classfamiliesinvllagestowhichshewasfamiliarJaneAusten'sverystyleofherworkswascriticizedbysomecriticsandwriters.CharlotteBronteeverdemurredthatshe“shouldhardlyliketolivewithherladiesandgentlemenintheirelegantbutconfinedhousesMrs.Browningstatedthat“Austen'scharactershadnosoulsandwerelackofdepthandwidth”,However,thosewhoappreciatedherpraisedhighlyforherfineart,JaneAustenlivedinthetransitionperiodbetweentheeighteenthandnineteenthcenturies,butshebelongedmuchmoretotheeighteenthcenturythantothenineteenthcentury.Threeofhernovelswerewrittenbefore1800andtheotherthreebetween1812and1816ThebackgroundofJaneAustenEnglishsocietyinthelateeighteenthcenturywaslargelymadeupofaseriesofruralcommunicationsgovernedinpaternalisticfashionfromthegreathousebyanumberofthegentryorthearistocracywhoownedhisauthorityandprestigetotheownershipofland.Together,thearistocracyandgentryownedmorethantwo-thirdsofallthelandinEnglandAllJaneAusten'sworksshowarecognizablestandardofvalues.Herfatherwasacountrychurchman;hisfamilyremainedfaithfulChristianthroughouttheirlives,andwentregularlytochurch.Janetookitforgrantedthatapersonshouldbesincere,unselfish,disinterestedFaithinJaneAusten'sworkThesebeliefsarefundamentaltoherwork.InSenseandSensibility,thefirstofhernovelstobepublished,theimpetuousMarianne,whojudgesbytheheart,iscontrastedwithhersisterElinorwhobelievesthattheheartshouldbedisciplinedbygoodsenseandmoralprinciple.JaneAustenwasequallypreparedtolaughatthosewhothoughtitrighttoliveentirelybytheiremotions英国作家简·奥斯汀简介,SenseandSensibilitySenseandSensibilityisanovelbyJaneAustenthatwasfirstpublishedin1811.Itisabouttwosisters,ElinorandMarianneDashwood.TheunexpecteddeathofMr.Dashwoodforcesthesistersandtheirmothertolivewithagreatlyreducedincomebecausethefamilyestateislefttoasonbytheirfather'sfirstmarriage.TheyareforcedtoleaveNorland,theirhomeinSussex,tomovetoacottageontheestateofacousin,SirJohnMiddleton,ofBartonParkinDevonshire.Elinor'sprudencewelcomethismove,eventhoughitwillgiveherfewopportunitiestoseeEdmundFerrars,theamiablebrotherofhersister-in-lawandtheheirtoalargeestate.AtBarton,MariannemeetsandfallsdeeplyinlovewithJohnWilloughby,thecousinofaneighbor.Bothrelationshipsencounterproblems.ElinorlearnsthatEdwardFerrarshaslongbeenengagedtothevulgar,ambitiousLucySteele.Hissenseofhonorwillneverpermit.himtobreakhisengagement,thoughhenolongerlovesher.WilloughbyabruptlydisappearsfromBarton.Marianne,distraught,pursueshim.Whenshefindsoutthathehasmarriedawealthyheiress,shebecomesdangerouslyill简·奥斯汀的感性导论,TheartisticstyleofSenseandSensibilitySenseandSensibilitywasthefirstofAusten'snovelstobepublished,underthepseudonym“ALady".ElinorandMarianneDashwoodaresisterswithoppositetemperaments.Traditionally,ithasbeenviewedthat19-year-oldElinor,theelderdaughter,represents“sense”ofthetitle,andMarianne,whois17,represents“sensibility”(emotion).Howeverthisviewisaveryrestrictingone.OncloseinspectionofthenovelitcanbeseenthateachsisterrepresentsdifferentaspectsofeachcharacteristicRealismstyleintheworksThisnovelsharesresemblancewithherotherworksbecauseJaneAustenisalwaysconcernedwiththesamethemesandissuesandvariationsonthesameplot,inwhichrusticgentlemenandladies'love,marriageanddomestictrifleshavebeenaccuratelyandcomprehensivelyrecorded.JaneAustenisarealisticnovelistwhoactsasanopponenttoRomanticismwhichhasdominatedliteratureforalmostonehundredyears.ThereforeJaneAustensetshereyeonpeoplenearbyandrecreatestheirlifevividlyfromarealisticpointofviewinthisnovel简·奥斯汀的感性导论,Austin'sworkstyleiseasyandhumorous,fullofcomicconflict.BecauseAustinlivedinthecountrysidewithstrongfeudalpowerallhislife,andhisfamilywasrich,sothelifecirclewasverysmall.Thismakesherworksoftenlimitedtothestoryofloveandmarriageofthedaughterofordinarysquire,andherworksalsoreflecttheviewoffeudalforcestosomeextentRelaxedandhumorousstyleTheworksmainlyreflectthemoralstandardsoffamilyandsocietythroughthesocialcommunicationanddailydialogueofladiesandgentlemen.ThismadeAustin'sworkapopularbookforalongtime.Itsatirizesthephenomenonofprofitseekingandvanitywithhumorouslanguage,andridiculespeople'sstupiditythroughcomicscenesHaveacomedyconflict奥斯汀作品的艺术特色,ChapterTwoInhernovels,JaneAustenwelldescribedmostoftheunmarriedgirls'pursuits.andideasaboutmarriageinherowntime.Ofcourse,thesedescriptionshadbroughtheragreatfameaswellassomecriticisms.whatevershewasconsideredas,inmyopinion,shehadasensibleviewonmarriage.Maybeherviewisnotadvancednowadays.However,inthepast,especiallyintheeighteenthcenturyinEngland,sheundoubtedlypossessedafarliberalattitudetowardsmarriagebeyondhercontemporaries研究意义RESEARCHMEANING,Inhernovels,JaneAustenwelldescribedmostoftheunmarriedgirls'pursuitsandideasaboutmarriageinherowntime.Ofcourse,thesedescriptionshadbroughtheragreatfameaswellassomecriticisms.whatevershewasconsideredas,inmyopinion,shehadasensibleviewonmarriage.Maybeherviewisnotadvancednowadays.However,inthepast,especiallyintheeighteenthcenturyinEngland,sheundoubtedlypossessedafarliberalattitudetowardsmarriagebeyondherContemporaries.Atthattime,women'ssocialstatuswasverylow.Livinginaconfinedcircle,theycouldn'tfindanyjobunlesstheywouldliketobecomeagoverness.Asaresult,toassuretheireverydaylife,itwasveryimportantforthemtomarryawealthymanFamilyequalityinpersonalityThenovelofSenseandSensibilitybringstoaclosewithaHollywood'sendingwhichgivesageneralaccountofthetwosisters'marriageswiththeirbeloved.MarriageplaystheroleofcompensationforElinoraswellasMarianne'spreviouseffortandilltreatmentfromothersinthepilgrimoflove.Astheabovementioned,thenovelhasexplainedenoughwhytheirmajorconcernhastodiverttomarriage.Foronething.bothElinorandMariannehavegottheageofdating.oneis19yearsoldwhiletheotheroneis17yearsold,whohavegotintotheagesuitableforthepursuitoftheoppositesex.Foranother,theirfamilyhaslostfinancialfoundationaftertheirDeath.Inthenovel,propertyisinheritedaccordingtoatraditioncalledprimogenitureCriticizingsupremacyofmoney简·奥斯汀的婚姻观,12ReligionwasofcentralideologicalandmaterialinterestforJaneAusten'speopleandhasbeenlongso.AustenbelongstotheChurchofEngland,orAnglicanChurch,establishedasthestatechurchinthesixteenthcentury.ItstheologyandecclesiasticalstructureareacompromisebetweenRomanCatholicismandnon-CalvinistProtestantismAnglicantheologyisArminianpredestinationandaffirmingsalvationbyacombinationoftruefaithandgoodwork,freewillanddivinegrace.Buttherearesomegroupswhorejectvariousaspectsoftheestablishedchurchanditstheology..Thesedifferenceandinequalitiesresultinsocial,cultural,andpoliticaltensionthatreachaparticularcrisisinAusten'sdayAustenbelievesinAnglicanChurchMoralconsiderationandcommitment简·奥斯汀的宗教观点,ExposethedarknessoftheprimogenitureThisisaconventionwhichhasenjoyedbyColonelBrandon'sbrotherandwouldalsobeEdward'sprivilegeifhelivedinawaysatisfiedbyhismother.ButsuchsecondsonsasColonelBrandonandRobert,theyhavenorightstosharefamilypropertythoughbothofthemindeedgetitastheformershouldgratitudehisserviceinthearmy.AstogirlinthisnovelsuchasElinor,MarianneandLucy,theyallgainlifeinsurancefrommarriagetoahusbandofwealthnomatteritcomesfromvirtueorviceThesatireoftheprimogeniturePrimogenitureisasystemofinberitancebywhichaneldestsonreceiveshisparents’property.Primogeniturepreventsthesubdivisionofestatesanddiminishesinternalpressurestosellproperty(forexample,iftwochildreninheritahouseandonecannotaffordtobuytheother'sshare)..InWesternEuropemostyoungersonsofthenobility,havingnoprospectofinberitinglandorproperty,wereobligedtoseekcareersintheChurch,theArmedForcesorinGovernmenJaneAusten简·奥斯汀的财产继承观,hefateofthecharactersinthenoveldidn'tdevelopaccordingtopeople'sexpectation.Someoftheirwordsanddeedswereoutoftimeincertainoccasionsduetothelimitationsofintelligence,thoughtorcognition.However,thesecharactersthemselveswerenotawareofthis,andtheresultwascontrarytotheirwishesThesituationironystyleoftheworkForexample,inordertocoverupthescandalofLydia'selopementandmaintainthereputationoftheBennets,Mr.DarcytooktheinitiativetohelpWycombepayoffhisdebts,andusedthemoneytopromptWycombe,whohadnointentionofmarryingLydia,tomarryLydiaquicklyTheartistryofthefateofcharactersInthisnovel,Austin,throughthedifferenttreatmentofBennett'sfivedaughterstotheeventofdeath,showsthedifferentattitudestowardsmarriageandloveofgirlsfrombourgeoisfamiliesinthevillagesandtowns,whichreflectstheauthor'sownviewofmarriage:itiswrongtomarryforthesakeofproperty,moneyandstatusWomen'spursuitofpersonalityautonomy作品对社会现实的批判,ChapterThreeIntermsofmethodology,ethicalliterarycriticismisanapproachtoliterarycriticismdevelopedonthebasisoftheintroductionofethicalmethodsandtheassimilationofthemintothetextureofliterarycriticalmethods.Itisusednotonlytointerpretthemoralphenomenarecordedinliteratureonhistoricalanddialecticbases,butalsotomakevaluejudgmentofthoseinthepresentliteraturebasedonthemoralvaluesinthereality.ProfessorNieZhenzhao(professorattheSchoolofLiberalArts论文概述OVERVIEWOFTHEPAPER,Intermsofmethodology,ethicalliterarycriticismisanapproachtoliterarycriticismdevelopedonthebasisoftheintroductionofethicalmethodsandtheassimilationofthemintothetextureofliterarycriticalmethods.Itisusednotonlytointerpretthemoralphenomenarecordedinliteratureonhistoricalanddialecticbases,butalsotomakevaluejudgmentofthoseinthepresentliteraturebasedonthemoralvaluesintherealityUnscramblethemoralphenomenonProfessorNieZhenzhao(professorattheSchoolofLiberalArtsandSchoolofForeignLanguages,CentralChinaNormalUniversity)makesapioneeringandcomprehensiveexpositionofthenotionofliteraryethicalcriticism,includingitssources,methods,contents,foundations,theapplicableareas,practicalvaluesandrealisticsignificance.ProfessorNieproposedthatthepreviousliteraryapproachesweusearethedevelopmentofthewesternliteraryapproaches,soitisemergentforourChinesepeopletofindourownliteraryapproachesOnthetheoryofliterarycriticism基于社会文学伦理学的批判,MethodologyofethicsFromhispointofview,literatureistheethicalandmoralexpressionoftheproductprocessofhumanbeinginthehistory.Literatureshouldteachpeoplehowtodistinguishrightfromwrong,andmoralfromimmoral.Ethicalthemeisthecrucialelementtodecidethemoralandaestheticmeaningofliteraryworks.Nooneofuscanbefreefrommoral,whethertobeagainstitortobeincoherencewithit..Withintheworldofordinarylife,weunavoidablyinheritabodyofreligiousandmoralideas.Weneverstartwithnothing.Wearealwaysgiftedaninheriancetoassess,criticize,andperhapsmodify,aswepassiton.Thatistosaythatalltheworksandtheirauthorsareendowedwithmoralsense,thoughitisnotalwaysinconsistencewiththedominant.Tobecompletelyobjectiveandnon-moralisimpossible.ThewordshavetodowithrealityanditwillhavetodealwiththevaluejudgmentandethicalproblemsValuesandethicalissuesSousingethicalapproachesinliteraryappreciationwillbemoreandmoreimportant.Ethicalapproachescanapproachliteraryworksastheanalysisofhumanbeing.Itgivesprominencetotheliterarycharacteristicsanditiseasytogetnewconclusionandmakeinnovationalunderstandingofliteraryworks.NEXT文学伦理学批判,Austenworksclarifytheethicsandmoralityofloveandmarriage,trulyreflectthemostessentialcharacteristicsofhumannature,andhavestrongrealism."Austinisoneofthemostimportantliteraryartistsintheworld,"saidWilliamLyonPhelpsPrejudiceishermasterpieceagain."PrideandPrejudiceislovedbygenerationsofreaders,somuchbycriticsAsatreasureofworldliterature.Austindescribesthelovestoryofherclasswithcalmethics.Butsheobservescarefully,writesdelicately,vividlyandprofoundlyManyaspectsoflifeinthateraareofdistinctepochalnatureThemostessentialcharacteristicsSimplehumorandpungentsatire:Austincanwrite"ordinarythings"withstrongartisticappealtoshapecharactersItisfamousforitsdistinctiveimage.Sheisgoodatusingcomedysatiretoreflectrealsociallife.Everytimeshefinishesherfirstdraft,shealwayslooksforwardtoitReadingittoherfamilyoftenmakeshernieceslaugh.Oneday,Austin'ssisterCassandrawastheretohearit,Smileforwardandbackward,justaskJanetostopquickly,lestshelaughstomachpainManybehaviorsthatdonotconformtomoralandethicalstandardsAcridsatireisimmoral对婚姻恋爱伦理观念的批判,Withtheemphasisofethicalliterarycriticism,weshouldmakeahistoricalanalysisoftheethicalenvironmentattheend18thandthebeginningof19thcenturyofBritishsociet.ThisisasocietywithsocialandfinancialsystemwhichissosystematicallyheartlessinitstreatmentofwomenEthicalenvironmentShebecameinterestedinmoralproblemWhetherwomenoughttohavemorallivesinthesamewaymenhavemoralliveswastheissuehotlydebatedinAusten'stime.Intheeighteenthcentury,wecansaythatJaneAustentendedtobelongtoAristotelianpatternofethicalideas.WewillanalysisAusten'smoralsenseinSenseandSensibilityfromtheaspectofethicalliterarycriticismindetailAustin'ssenseofmoralityandSensibility简·奥斯汀道德观的局限性,ChapterFourAusten'smoralconcernisnotreallywithinstructioninrectitude.Sheisnottryingtoillustratethepreceptswecanrelyonifwewouldsailsuccessfullythroughlife.Indeeditisjustthereverse.Sheisconcernedwiththedifficulty,inreallife,ofclearlyunderstandingbothourselvesandothers,offiguringouttherightthingtodo,andtryingtodoitinthefaceofourrdesiresandlife'sconflicts.Preceptsareinadequateinthematter.Peoplearealltoofrequentlyinamoralmuddle,astateeitherofblindnessoraconfusion研究结论RESEARCHCONCLUSION,Marriageandfamilyplaysanimportantroleinhuman'slifeandwecanknowthemoralsenseofthesocietyfrompeople'sattitudetowardsmarriageandfamily.LikeAuten'sothernovels,SenseandSensibilityalsofocusesongentlemenandladies'loveaffairsandmarriage.Fromwhatwehaveexplained,weknowwomen'spositioninthe19thcenturyandthepuposeoftheirliveswasmarriage,andtheironlyproperspherewasthehome,whilemenhadalltherestoftheworldtoexercisetheirtalents.WeknowthatwhenColonelBrandon'spartialitywasdiscoveredbyElinor,sheconsidershimtobeasuitablemaneconomicallyandpersonallyMarriageunderreasonandSensibilityEdwardwaspreferredbyMarianneandhermother,theythoughthimtobeapropermatcherforElinorbecausetosomeextenthecaninheritedagoodfortunefromhisfamily.Furthermore,Lucy'saffectiontoEdwardturnsouttobetheinfluenceofmoney..Sowecanknowladies'attitudetowardsmarriagewasinfluencedgreatlybymoneyThepositionofmoneyinmarriage,Beforemarriage,awomanmustsacrificetoherfamily.Peoplebelievedthatawomanwasneverseparatedfromherfamily.“Herverysoulisinhome,andinthedischargeofallthosequietvirtuesofwhichhomeiscenter”.Elinorthoughtforhersisterandmotherduringthewholestory.Herresponsibilityforthefamilyisawaytoreflectthemoralsenseofthatsociety,Marianne'sfinalrenunciationwithColonelBrandonisawaytoreflectfamily'sWomenhavetosacrificefortheirfamiliesWilloughbyhimself,welearnattheendofthenovel,“livedtoexert,andfrequentytoenjoyhimself".ThoughhedidreallyloveMarianne,IthardlyappearstobeAusten'sintentiontosermonizeonthewagesofsin.ThisisonewaytoshowAusten'smoralsenseaboutpeoplethatthereisnototallyviceinhuman'slifeandtheviceshouldgetpunishedbythesocietyorhim.Badhabitsshouldbepunished“Herverysoulisinhome,andinthedischargeofallthosequietvirtuesofwhichhomeiscenter”,MoralissuesarenotmistakesHowever,therearecharactersinAusten'snovelswhodothingsthatarewrong.Butwhentheydo,Austen'sapproachesisnot,contrarytoearliernovelsofwhichshewascritical,toshowthatbadthingshappentothewicked,ortodemonstratethatholdingtosoundpreceptsistherightstrategyforasuccessfullife.ThemostnoteworthymoralwrongsthatoccurinAusten'snovelsarenot,andarenotmeanttobe,lessonsfromwhichtheheroesandheroineslearnAustin'smoralityTheyaretheplotelementsthatformthecontextinwhichcharactersmakedifficultchoices.TheyarethecenterpiecesofthenovelInSenseandSensibility,Mr.Willoughbyisthemostamoralperson.HisseductionsareabadthingandhisshabbyandimmoralbehaviorindirectlyaffectsMarianneDashwood;however,hisbadbehaviorhasalsoledtohisbeingcutofffromhisinheritanceaswell,whichinturninduceshimtogive4pMarianneinfavorofarichwomen,Austen'smoralconcernisnotreallywithinstructioninrectitude.Sheisnottryingtoilustratethepreceptswecanrelyonifwewouldsailsuccessfullythroughlife.Indeeditisjustthereverse.Sheisconcernedwiththedifficulty,inreallife,ofclearlyunderstandingbothourselvesandothers,offiguringouttherightthingtodo,andtryingtodoitinthefaceofourdesiresandlife'sconflictsRelyoncommandmentsSometimeswecanseethatAustenblursthemoralfocusandchallengesanapproachtolifethatpresentstheproblemoflivingasmuchtooeasilysolvedbytheapplicationoftheory.Austen'scharactersarenotstickfigures,noraretheycaricatures.Wecannotsay,inaneasyway,whetherhercharactersaresimplygoodorbadObscuringmoralconcerns道德不是真正的正直教育目标,感谢各位老师批评指正Pleasetheteacherandmorecriticismandthankyou!英语专业毕业论文答辩Inthe19thcentury,tlrreappearedseveraldistinguislkdEnglishmyeliststhatareleadedbyDickensandThackeraywhodominated论文答辩：稻壳儿指导老师：稻壳儿Inthe19thcentury,tlrreappearedseveraldistinguislkdEnglish
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